Found in 13 Collections and/or Records:
This collection contains the personal and professional papers of Celia Adler and Lazar Freed, including theatrical materials such as scripts, programs and sheet music, correspondence, newspaper clippings, assorted publications, and photographs of many of the members of the Adler family and their friends from the Yiddish theater. These materials reflect the wide scope of the Adler acting family and their immense influence on Yiddish theater, Broadway and motion pictures.
The collection contains play manuscripts, programs, playbills, posters, photographs, correspondence, agreements, scrapbooks, clippings, printed ephemera, and memorabilia relating to Yiddish theater primarily in the early twentieth century, especially the interwar period. Also included are items of printed ephemera related to Yiddish film, Hebrew theater, and a broad range of Jewish performers, including cantors, singers and dancers. Geographically, the materials originate predominantly in Poland and other parts of Eastern Europe, including parts of the Russian Empire and, later, the Soviet Union; and, to a lesser extent, the United States, especially New York City. Also included are materials from Western Europe, Palestine (Eretz Israel), South America, and other regions around the world. Among the theater personalities represented in the collection with significant amounts of material are Herz Grossbard, David Herman, Joseph Winogradoff, Rudolf Zaslavsky, Zygmunt Turkow, Jonas Turkow, Moyshe Lipman, Ida Kaminska, and Esther Rachel Kaminska. The theater groups best represented include the Varshever Yidisher Kunst-Teater (VYKT; Warsaw Yiddish Art Theater), founded by Zygmunt Turkow and Ida Kaminska; the Vilna Troupe; Yung Teater / Nay Teater (Warsaw; Vilna), under the direction of Michael Weichert; the Moscow State Yiddish Theater (known by its Russian acronym "GOSET"); Maurice Schwartz's Yiddish Art Theatre, of New York; and the Hebrew theater "Habimah." A wide variety of other professional as well as amateur theater groups are represented with smaller amounts of material.
The Fred Halbers Collection documents the life and work of the actor, artist, and writer Fred Halbers. The main subjects of the collection are his life, his writing and his artwork, although material concerning other members of the family is also present. The collection consists of manuscripts, correspondence, clippings, official documents, notes, some photographs, negatives and slides.
This collection documents the life and work of Frederick (Fritz) Ritter, an actor, writer, and academic. Included are manuscripts of published and unpublished writings, articles, reviews, clippings, notes, personal documents, and photographs.
The Yidisher Artistn Fareyn, or Yiddish Actors' Union, advocated for actors' economic interests while striving to create a professionally run, artistically ambitious, Yiddish theatrical scene in Warsaw. From 1919-1938, its influence gradually increased until it included the majority of actors working in Poland, and collaborated with the most significant Polish Yiddish cultural figures and institutions, including E. R. Kaminska, YIVO, Literarishe Bleter, and the Landrat, or National Council of Class Trade Unions (Krajowa Rada Klasowych Związków Zawodowych). This collection contains records of annual conventions, Executive Committee meetings, correspondence with actors and theaters from Poland and around the world, and membership files on almost 600 actors.
The collection of Jacob Mestel consists of the general, professional and personal correspondence of Jacob Mestel, manuscripts of plays by other authors, manuscripts of poetry, essays and plays by Jacob Mestel, translations of plays into Yiddish, production material, clippings, theater programs, personal documents, and theater photographs.
This collection contains manuscripts of some of the earliest Yiddish plays, correspondence between playwright, poet, and director Abraham Goldfaden, the father of Yiddish theater, and various actors and writers, as well as some family correspondence, newspaper clippings on Goldfaden and his impact on Yiddish theater, articles by Goldfaden on a variety of topics, and various other theater materials, such as title pages of plays, programs and song sheets. The collection illustrates Goldfaden’s great and ongoing influence on Yiddish theater.
This collection contains the personal and professional papers of Joseph Buloff and Luba Kadison, leading actors of the Vilna Troupe and of the Yiddish and English stage, both in the United States and internationally. Most of the information concerns their theatrical careers, including play manuscripts, drawings and photographs of plays and actors, reviews, flyers, and musical scores. There is also some personal biographical information about Buloff, including his memoirs and audio cassettes of interviews. These materials show the importance and influence of Buloff and Kadison for Yiddish and English theater for over sixty years.
This collection contains materials relating to the musical and theatrical career of Ludwig Satz and includes sheet music, concert programs, a play script, and publicity notices. There are also paintings, printing plates, a walking cane, and a plaster head cast in the Museum collections.
This collection contains the administrative records of the Hebrew Actors’ Union (HAU), the professional union of Yiddish theater performers, which was based in New York City. Materials include correspondence, membership materials, financial records and members’ dues information, meeting minutes, and a great deal of sheet music and play scripts of performances from the Yiddish theater. A majority of these performances were in New York City, but there are also materials from Philadelphia, Chicago, Boston, Toronto, and Montreal, as well as various locations in Israel and South America.
This collection contains documents, including residency permits, letters of recommendation for employment, and correspondence, which illustrate the theatrical career and migration of Leo Balagur (later Renato Monti) from his Ukrainian home to Lviv, Vienna, Berlin, Italy, and finally to the United States.
In 1961 Samuel L. Sumberg received a grant from the Leo Baeck Institute in New York to work on a project entitled Jewish Directors of the German Stage. Included in the collection are his notes, writings, correspondence and printed materials related to the subject. This work was not published.
This collection contains 331 Yiddish theater and film posters, mainly from the first half of the twentieth century, from North and South America.