Jews -- Music

The collections contains two variously annotated typescripts of Eric Werner’s book ‘A voice still heard : the sacred songs of the Ashkenazic Jews’, New York, G. Schirmer, 1978. Also included are various related materials as well as the correspondence between Eric Werner and Fred Grubel at the Leo Baeck Institute.

This collection contains papers of Abraham Moshe Bernstein, a renowned cantor, choir master, composer of Jewish liturgical and secular music, music teacher, musicologist, writer, and translator. The bulk of the materials consists of Bernstein’s liturgical compositions and arrangements in both published and manuscript form, as well as a substantial collection of manuscripts and published works by various composers and arrangers. The materials include Hasidic folk songs and melodies, religious songs, Jewish hymns, popular songs, children’s songs, operettas, liturgical pieces, and musical exercises for students; choral volumes and partbooks; unidentified and fragmented musical manuscripts; manuscripts of Bernstein’s own writings; personal correspondence; a photo of Bernstein on his deathbed; secular and religious songs, Sabbath hymns, Hasidic folk songs and melodies, assembled by Bernstein for the S. Ansky Jewish Historical Ethnographic Society in Vilna.

This collection includes personal and official documents of the Adolf Schwersenz family, including his professional work as a cantor, mainly during his time in Berlin. It contains sheet music used by Adolf Schwersenz, as well as newspaper clippings and letters.

This collection consists of publications of annual convention proceedings from 1948 to 1973, 1975-1977 and two songbooks from 1967 and some undated.

Book reviews; clippings; curriculum vitae, slides, manuscripts, musical scores, correspondence, etc.

The Frederick Lachmann collection includes fragmentary materials that allow us all but a glance into the life and professional activities of Frederick Lachmann and members of his family. The core of the collection consists of printed copies of articles that Frederick Lachmann wrote for Aufbau. Also included in the collection are correspondence, photographs, and writings.

Sephardic House was established in 1978 as a correction to the often-overlooked contributions of the Sephardic community to American-Jewish culture. The Records of Sephardic House documents the administrative, programming, and publishing activities of Sephardic House since its founding. Such documents include financial records, meeting minutes, correspondence, artist portfolios, press releases, photographs, slides, and much more.

The collection documents the work of Henry Besso and reflects various aspects of his professional life, personal research and writings in the field of Sephardic culture, Spanish language and linguistics, and Sephardic and Spanish history. Collection also documents Besso's involvement with Sephardic organizations and communities. Collection includes audio materials, brochures, booklets, clippings, conference procedures, correspondence, government publications, minutes, notes, photographs, printed matter, reports, speeches, and writings and translations by Henry Besso and others.

Typescripts and correspondence by Schönberg; 2 scrapbooks, one containing concert programs and reviews of Schönberg's works (1921-1948), the other containing articles by Schönberg, mostly on music and culture (1920-1938).

Organized under the auspices of the National Jewish Welfare Board, the Jewish Music Council provides cultural programming through music, music reviews, lectures, bibliographies, an annual Jewish Music Festival and Jewish Week and Month. The Council also creates a bridge between Israeli and American Jewish music. Within the collection are articles, lectures, bibliographies, recording reviews, minutes, Jewish Music Festival material, handbooks, activity and progress reports, promotional flyers, programming manuals (including a manual on Ernest Bloch's music), and a 1949 Jewish songster.

Photographs, mementos, and album recordings of the Kadimah Group of Hadassah, Central Chapter, Brooklyn Region, documenting their performances in Yiddish of Gilbert and Sullivan’s musicals, Pirates of Penzance and H.M.S. Pinafore.

This collection pertains to the lives of Max and Eva (née Hausen) Feuermann, who were both exiled from their respective homes in Berlin in 1938. It contains extensive correspondence between Eva and her parents, who remained in Berlin, up until 1943, as well as documents relating to Max’s academic and professional life prior to exile. Half of the collection consists of materials of the Free Sons of Israel Benevolent Association, Liberty Lodge No. 192, a Jewish cultural association and burial society in New York; these records consist largely of cemetery plot deeds.

The items in this collection consist of synagogue music scores from Southwestern Germany, both cantor's manuals and choral music.

The collection contains a brief essay by Ruth Knox née Liebermensch regarding her childhood in Mannheim and emigration from Germany; song printed on the occasion of the wedding of Samuel Liebermensch and Gisela Schiff; and sheet music edited by Samuel Liebermensch, entitled "Lieder des jüdischen Hauses."

The collection relates to the life of Jewish refugees, mostly of German and Austrian origin, in Shanghai primarily between the years 1939-1948. It covers many aspects of their experience, including political and cultural events, relief and charity activities, and self-help. The collection originated from the YIVO exhibition that was organized and displayed in 1947 in Shanghai and later in New York. The collection consists of manuscripts, minutes of meetings, correspondence, newspaper clippings, and printed materials.

Collection encompasses an extensive variety of organizations, subjects, and formats and is most useful for genealogists and researchers interested in general information. Researchers looking for a particular publication will also find this collection helpful.