Found in 43 Collections and/or Records:
This collection contains Hebrew, Yiddish and English sheet music compositions, programs, playbills, and reviews, with extensive files relating to the operas "The Golem" and "The Thief and the Hangman" and the musical "Great to Be Alive." There are also some photographs and correspondence.
This collection contains papers of Abraham Moshe Bernstein, a renowned cantor, choir master, composer of Jewish liturgical and secular music, music teacher, musicologist, writer, and translator. The bulk of the materials consists of Bernstein’s liturgical compositions and arrangements in both published and manuscript form, as well as a substantial collection of manuscripts and published works by various composers and arrangers. The materials include Hasidic folk songs and melodies, religious songs, Jewish hymns, popular songs, children’s songs, operettas, liturgical pieces, and musical exercises for students; choral volumes and partbooks; unidentified and fragmented musical manuscripts; manuscripts of Bernstein’s own writings; personal correspondence; a photo of Bernstein on his deathbed; secular and religious songs, Sabbath hymns, Hasidic folk songs and melodies, assembled by Bernstein for the S. Ansky Jewish Historical Ethnographic Society in Vilna.
Addenda to the Joseph Braunstein Collection hold the private and professional documents of Dr. Joseph Braunstein, a musicologist and amateur mountaineer from Vienna. The addenda cover Braunstein’s successful emigration to the United States, as well as his activism at “Alpenverein Donauland” in Austria during the 1920s and 1930s. They further document many of his travels abroad.
This collection includes personal and official documents of the Adolf Schwersenz family, including his professional work as a cantor, mainly during his time in Berlin. It contains sheet music used by Adolf Schwersenz, as well as newspaper clippings and letters.
The papers of Yiddish poet Aliza Greenblatt include copies of published and unpublished songs, poems and articles in both typed and handwritten manuscript form, newsletters, newspaper clippings, programs, scrapbook pages, and sheet music. There are also drafts and correspondence regarding her autobiography, including original letters sent to her from her husband Isidore when he visited Palestine in 1920, which form a portion of her autobiography. The collection also contains correspondence and legal documents from Greenblatt’s family, documents relating to her Zionist and charitable activities, and correspondence from other Yiddish writers and poets.
This record group contains three-dimensional objects and printed materials that relate to the history of Hadassah. A bulk of this record group consists of promotional and commemorative objects and awards created by Hadassah for its Annual and Midwinter National Conventions, and for Young Judaea events. Examples of such items include t-shirts, hats, bags, buttons, stationery and keychains. Artifacts created by local Hadassah chapters and regions, as well as awards received by local and national Hadassah leaders from other organizations, are also included. Of a particular interest is the bronze death mask of Henrietta Szold.
This collection contains the records of Ben Gailing (1898-1999), a New York and Boston-based Yiddish theater actor and radio host. Collection includes two Yiddish playscripts, "Yo a Mame, Nit a Mame" by Ben Gailing, and "Oy iz dos a Yingel" by Hershel Glick; Gailing’s book, Git a Shmeykhl; Yiddish sheet music; Yiddish theater programs; and photographs of Ben and Frieda Gailing and other actors and actresses from the Yiddish theater.
The collection holds papers, photographs, documents and correspondence pertaining to four generations of the Altmann family. Topics of the collection are, among others, the lives of the family members in Austria-Hungary, in pre-war Austria, in the emigration process and in the United States. Part of the material focuses on the family’s genealogy. The collection comprises correspondence, memoirs, personal and official papers, family photographs, postcards and some notes.
The collection is primarily composed of various documents and manuscripts pertaining to the history of the Brotzen family written by Joachim Brotzen. Also included is sheet music belonging to soprano Loni Schwarz-Brotzen.
This collection contains records of the German-Jewish Orthodox Congregation Ohav Sholaum of Washington Heights, New York, such as by-laws, correspondence of its long-time rabbi, Ralph Neuhaus, and documents relating to its charitable organization Gemiluth Chessed of Washington Heights. It also includes sheet music used by the congregation's choir.
Folders 13 and 14 pertain to the friends and extended relatives of Ernestine and Hans Rosenberg, respectively. The folders contain mostly handwritten correspondence about family life, particularly the dangers of wartime Europe, but Folder 14 also includes genealogical information about Hans Rosenberg’s family dating back to the late nineteenth century. Folder 15 contains a 1920s postcard from Renee née Goldschlaeger Kraessel, the maternal aunt of Ernestine Rosenberg, and sheet music from pieces that Renee wrote and co-wrote. Folder 16 contains restitution papers for Renee’s brother, Karl Goldschlaeger. Folder 17 includes personal and professional correspondence with Hans Rosenberg and typewritten lectures from Emil Fröschels, a speech and voice specialist at the University of Vienna and mentor to Hans.
The Frankl-Kulbach Family Collection contains materials documenting the lives of members of the Frankl, Kulbach, and related families, particularly art historian Paul Frankl and his wife Elsa Frankl, and their daughters Johanna Kulbach née Frankl, Susan Wilk née Frankl, and Regula Davis née Frankl. Through family histories, correspondence, diaries, vital documents, writings, and photographs, the collection covers their lives in Germany before World War II, their efforts to immigrate to the United States, and their lives and careers in the United States.
The Frederick Lachmann collection includes fragmentary materials that allow us all but a glance into the life and professional activities of Frederick Lachmann and members of his family. The core of the collection consists of printed copies of articles that Frederick Lachmann wrote for Aufbau. Also included in the collection are correspondence, photographs, and writings.
This collection contains documents and artifacts belonging to George and Hildegard Brandes Lewin and their family members. In addition to vital records, correspondence and photographs, there are handwritten music manuscripts and pencil drawings.
This collection contains several letters written by Meyerbeer, 3 single-page music manuscripts, a small number of personal and family papers (some original, some photocopied), and a few short manuscripts about Meyerbeer.
This collection consists primarily of manuscripts, printed articles and reviews, notes, news clippings, and other source material of Blumenthal’s published books and articles. In addition, the collection includes personal materials such as genealogical information, photographs, correspondence, and several travel diaries.
Collection contains research notes and writings relating to London's works on early American Jewish portraits, miniatures, and silhouettes; this includes family histories of the subjects of the artwork, biographical information on the artists, and information about the works themselves. Also includes items relating to London's personal life, such as her genealogy and a notebook of letters written by her son Robert who was killed in action in World War II during his service in the army; notes, manuscripts, and published and unpublished articles and poetry; art catalogs; legal documents; lantern slides; photographs; correspondence; newspaper clippings; genealogical charts; handwritten sheet music; military medals; sound recordings; a theater program; and a scrapbook.
The collection documents the work of Henry Besso and reflects various aspects of his professional life, personal research and writings in the field of Sephardic culture, Spanish language and linguistics, and Sephardic and Spanish history. Collection also documents Besso's involvement with Sephardic organizations and communities. Collection includes audio materials, brochures, booklets, clippings, conference procedures, correspondence, government publications, minutes, notes, photographs, printed matter, reports, speeches, and writings and translations by Henry Besso and others.
The Hermann Ehrlich papers contain handwritten documents on the genealogy of the Ehrlich, Rosenbaum, and Romberg families, including family trees. It contains also the collected work of Hermann Ehrlich as a cantor and teacher, including hymn books and sheets of music. Furthermore there are notes on the life of Hermann Ehrlich.
Contains the Bulletin of the Jewish Center of Williamsbridge from the 1940s to the 1970s and gift books bound with yearbooks of the Center bound inside. Also includes material regarding Doctor Rabbi Akiba Predmesky (d. 1998), who served the Jewish community and the Jewish Center of Williamsbridge for over fifty years.
The Julius Buchwald Collection consists of manuscripts, musical compositions, family correspondence, and printed materials. The bulk of the collection consist of Julius Buchwald’s writings and musical compositions, most of which were composed in the late 1930s.
Folder 1 contains various memoriabilia relating to Leo and Franzi, his daughter, including a poem Franzi wrote about New York in 1954, a speech she made about her father Leo Ascher in 1979, various programs commemorating his work, information on archival institutes holding his documents, etc.
The Manfred Lewandowski Collection documents the professional life of cantor Manfred Lewandowski with a focus on some of his more prominent compositions. It additionally holds some genealogical material on the Lewandowski family. The bulk of the collection consists of correspondence, newspaper clippings and copies of photographs; also included are sheet music, official and professional documentation including certificates, family trees and genealogical notes, and an essay on cantorial music.
This collection describes the work and lives of the composer, conductor, and accompanist Warner S. Bass and his wife, the singer Marion Corda Bass. Most prominent among the materials of this collection are the music scores created by Warner Bass; they include works he composed, arranged, orchestrated, transcribed, or performed. Other items include personal documents, correspondence, published sheet music, photographs, essays, notes, concert and recital programs, press releases, and clippings.
The collection contains papers of the former President of the Long Island Chapter Zionist Organization of America (ZOA), Michael Greene. Greene wrote music and lyrics that were performed or played back at events dedicated to Soviet Jewry in the Long Island area and were delivered to Refuseniks in the Soviet Union by members of the Long Island Committee for Soviet Jewry. The materials include correspondence, a book of poems and stories, sheet music, a CD, an audiocassette, and a tzedakah box.
This collection consists of the general, professional and personal correspondence of the labor poet Morris Rosenfeld, whose works were originally in Yiddish but eventually became translated into other languages. The papers mainly describe his literary work, and include not only his poetry, but also his essays and articles. The collection contains personal papers and documents, printed works (books, articles, poems), unpublished manuscripts, translations of Rosenfeld's poems into English and other languages, sheet music, and reviews of Rosenfeld's work.