Performing arts

The Dora Segall Material holds papers of Dora Segall, who worked for the Leo Baeck Institute London and her husband Fritz, who was head of the Berlin-based Jüdische Künstlerhilfe. The bulk of the material consists of correspondence and related documentation pertaining to their professional capacities. Over half of the collection relates to Fritz Segall's work and documents the assistance provided to German-Jewish artists by the Künstlerhilfe. In addition to correspondence, the collection holds photographs, articles and clippings and reports.

The collection contains play manuscripts, programs, playbills, posters, photographs, correspondence, agreements, scrapbooks, clippings, printed ephemera, and memorabilia relating to Yiddish theater primarily in the early twentieth century, especially the interwar period. Also included are items of printed ephemera related to Yiddish film, Hebrew theater, and a broad range of Jewish performers, including cantors, singers and dancers. Geographically, the materials originate predominantly in Poland and other parts of Eastern Europe, including parts of the Russian Empire and, later, the Soviet Union; and, to a lesser extent, the United States, especially New York City. Also included are materials from Western Europe, Palestine (Eretz Israel), South America, and other regions around the world. Among the theater personalities represented in the collection with significant amounts of material are Herz Grossbard, David Herman, Joseph Winogradoff, Rudolf Zaslavsky, Zygmunt Turkow, Jonas Turkow, Moyshe Lipman, Ida Kaminska, and Esther Rachel Kaminska. The theater groups best represented include the Varshever Yidisher Kunst-Teater (VYKT; Warsaw Yiddish Art Theater), founded by Zygmunt Turkow and Ida Kaminska; the Vilna Troupe; Yung Teater / Nay Teater (Warsaw; Vilna), under the direction of Michael Weichert; the Moscow State Yiddish Theater (known by its Russian acronym "GOSET"); Maurice Schwartz's Yiddish Art Theatre, of New York; and the Hebrew theater "Habimah." A wide variety of other professional as well as amateur theater groups are represented with smaller amounts of material.

The collection of Jacob Mestel consists of the general, professional and personal correspondence of Jacob Mestel, manuscripts of plays by other authors, manuscripts of poetry, essays and plays by Jacob Mestel, translations of plays into Yiddish, production material, clippings, theater programs, personal documents, and theater photographs.

The collection relates to the life of Jewish refugees, mostly of German and Austrian origin, in Shanghai primarily between the years 1939-1948. It covers many aspects of their experience, including political and cultural events, relief and charity activities, and self-help. The collection originated from the YIVO exhibition that was organized and displayed in 1947 in Shanghai and later in New York. The collection consists of manuscripts, minutes of meetings, correspondence, newspaper clippings, and printed materials.