Jewish artists

The collection contains a family tree of the Altschüler family of Grünstadt from 1760 to 1969, including birth, death, marriage, and emigration dates and locations. The family tree is accompanied by related correspondence. Also included is a certificate in memory of Henry Altschuler's work with the Jüdischen Jugendverein Ludwigshafen am Rhein.

The Arthur Segal collection contains personal and professional correspondence, manuscripts of essays and books, as well as drafts for speeches by the Dadaist and naturalist painter Arthur Segal. To a lesser extent, there are clippings and photographs.

Bernard Bernstein Collection documents professional activities of Bernard Bernstein, a jeweler, metal smith, writer, and teacher. The collection includes artifacts, correspondence, documents, manuscripts, printed materials, photographs and other visual materials, and sketches.

The Carola S. Trier collection consists of the personal documents of Carola S. Trier. The bulk of the collection consists of her memoirs, covering a period from 193 to 1942. The collection also includes Carola S. Trier's personal and official correspondence and personal documents, as well as notes and notebooks by her father, Eduard Strauss. Also included clippings, mostly from The New York Times and Aufbau.

David Friedman (Friedmann; 1893-1980) was an artist in Berlin. During the Nazi Holocaust, he was incarcerated in the Lodz Ghetto and Auschwitz. He resumed his artistic career immediately after the war and then immigrated to the United States. His papers include artwork, memoirs, and essays focusing on his experiences in the Holocaust.

This collection contains documents related to the membership of David Friedmann in several Freemason organizations. The materials include correspondence; official documents; newspaper clippings; and photographs. Most of the materials relate to the correspondence between David and the different Freemason lodges he was a member of as well as official documents documenting the membership of the lodges.

Books; booklets regarding Shanghai; guides; almanacs; magazines, Clippings from the Shanghai Jewish Chronicle, Straubinger Tageblatt (1939); family papers, Photos of Shanghai; various items from the Shanghai Herald

The Dora Segall Material holds papers of Dora Segall, who worked for the Leo Baeck Institute London and her husband Fritz, who was head of the Berlin-based Jüdische Künstlerhilfe. The bulk of the material consists of correspondence and related documentation pertaining to their professional capacities. Over half of the collection relates to Fritz Segall's work and documents the assistance provided to German-Jewish artists by the Künstlerhilfe. In addition to correspondence, the collection holds photographs, articles and clippings and reports.

This collection contains materials relating to Edith and Herbert Feist and family. It includes personal papers from Edith and Herbert, such as courtship correspondence in the early 1930s. Herbert Feist's professional materials relate to his work in Germany as a sketch artist, as well as to his businesses in the United States, primarily his art gallery. The collection also includes materials about the Feist's relatives, particularly Herbert's maternal grandfather Max Herschel. A leader in the Jewish community of Bonn, Herschel's papers here include manuscript and printed poems and translations (religious and secular). Photographs and genealogical research are also found in this collection.

The collection documents professional activities of Edouard Roditi as a art historian and critic and consist of manuscripts, notes, research files, and a wealth of art catalogues, press release, photographs, and exhibit invitations.

This collection documents Emery Gondor's professional life as a caricaturist, illustrator, child psychologist and photographer in Berlin, Vienna, Budapest, and New York. The bulk of the records are personal documents, such as postcards, certificates, and letters of reference, as well as a number of books and journals that were illustrated or written by Gondor. The collection also includes three folders concerning Emery Gondor's brother, the artist Bertalan Gondor.

This collection primarily contains materials relating to Emery I. Gondor's varied career as an illustrator, creator of puzzles, photographer, and writer. It also includes some personal documents and vital records, as well as materials relating to Emery Gondor's brother, artist Bertalan Gondor. It is closely related to the collection AR 25085 (Papers of Emery and Bertalan Gondor).

This collection comprises the research of the social worker Erna Magnus into the professional, cultural and civic activities of members of the Hamburg Jewish Community from the eighteenth through the twentieth centuries. It is composed entirely of index cards that record biographical and professional data on these individuals.

The Fred Halbers Collection documents the life and work of the actor, artist, and writer Fred Halbers. The main subjects of the collection are his life, his writing and his artwork, although material concerning other members of the family is also present. The collection consists of manuscripts, correspondence, clippings, official documents, notes, some photographs, negatives and slides.

The collection contains materials related to several members of the Kronstein/Neumann/Mueller families; both original documents as well as additional biographical information and excerpts from Gerda Lerner's book "A Death of One's Own". The bulk consists of correspondence, mainly written from Ilona Kronstein's exile in Nice to her daughter Gerda in the United States. In one letter, Ilona Kronstein describes a brief stay in the Gurs camp. Most of the correspondence has been summarized by John and Eva Englander, the summaries are included in the folders.

The Germany (Vilna Archives) collection contains materials of diverse provenances pertaining to Jewish life in Germany and, to a much lesser extent, other German-speaking areas of central Europe (Austria, Bohemia, Moravia), from the 16th century until the beginning of the Second World War. It includes correspondence, financial records, official documents, business records, writings, minutes, reports, book catalogs, printed ephemera, occasional clippings, and a handful of photographs. A little more than 60% of the collection comprises personal and family papers, or individual items of correspondence (approximately 140 different name headings); and a little over 20%, portions of the records of the Jewish communities of Darmstadt, Frankfurt am Main, Filehne (Wieleń), Raschkow (Raszków), and Rybnik. The remainder of the collection consists of various printed ephemera and scattered records related to Jewish communities, organizations, or firms, including publishers and booksellers. Also included are some 15 individual older items dating from the mid 16th to the early decades of the 19th century, including Schutzbriefe (residence permits), petitions, and attestations, as well as a mohel book (registry of circumcisions). Especially noteworthy among the personal papers are those of art dealer Josef Sandel, comparative law scholar Ernst Rabel, the Henschel brothers (artists), writer and social activist Lina Morgenstern, engineer Erich Kempinski, and writer and editor Julius Rodenberg. The several rabbis represented include Josef Jona Horovitz, of Hunsdorf (Huncovce) and Frankfurt am Main; Salomon Breuer and Isidor Friedmann, both of Frankfurt am Main; and Wolf Landau, of Dresden.

This collection documents the academic, professional and private life of Jacob Barosin (1906-2001), a painter and artist of Russian-Jewish descent. Barosin was raised in Berlin, but he fled to France in 1933 and in 1943 survived a stint in the Gurs concentration camp. The collection primarily contains correspondence, ephemera, manuscripts, official documents, personal papers, and photographs.

The Leo Glueckselig Collection includes materials pertaining to Leo Glueckselig and other members of the Glueckselig family and consists mostly of personal correspondence, photographs, and documents, whereas other document types such as printed materials, manuscripts, art works, and a cookbook constitute a smaller part of the collection.

The Max Busyn collection centers on material about the German-Jewish philosopher Constantin Brunner and the circle of devotes around him. The collection consists primarily of essays and correspondence between several followers of Brunner, who tried to reactivate the circle and to republish Brunner's work in the 1950s and 1960s after the Nazis had destroyed it.

This collection documents the work of artist Irv Koons. It is mainly comprised of his professional papers, including sketches and drawings as well as many examples of his completed works. Documents found here include posters, advertisements, brochures, flyers, reports, book illustrations, clippings, photographs of the artist and his work, and a small amount of correspondence. Some biographical information on the artist is also available.

Papers collected by Kathryn Yochelson on Israeli art and artists. The collection includes clippings, publications, biographical information on artists, Yochelson's research notes, correspondence regarding exhibits, scrapbooks, photographs and negatives of artists and artwork.

The collection contains papers and artwork of Ludwig Yehuda Wolpert, sculptor and designer of Jewish ceremonial objects. The collection includes clippings and publications about Wolpert's art, correspondence, personal documents, index cards, photographs, negatives, slides, sketches and paper models of objects Wolpert designed. Art work, such as sketches and models as well as photographs of art work constitute the larger part of this collection. The materials span 1927-1992 with the bulk of papers falling between the 1960s-1980s.

This collection consists of materials that focus on the life and art of Ruth Abrams. Documents include personal papers, writings by Ruth Abrams concerning her art and career, and material concerning exhibits of her artwork. The majority of the documents focus on her series of small-scale paintings known as Microcosms and her related film, Paradox of the Big. The collection also includes many photographs, both personal and of artwork.

The Peter Lipman-Wulf Collection documents the life and professional activities of Peter Lipman-Wulf, a sculptor and a teacher; it includes correspondence, writings and interviews, printed materials, personal, professional, and financial documents, and drawings. The bulk of the collection consists of both, personal and professional correspondence and biographical and professional writings with other types of materials constituting a far smaller portion of the collection.

Photographs of 71 posters, painted by Eli Erich Leskley (formerly Lichtblau) in Theresienstadt, 1942-1945.

The collection contains materials pertaining to the Rosenberg-Aronheim family and Nora Kronstein-Rosen.

The Rudolf and Victoria Pordes Collection primarily comprises material on the life and work of the furrier and artist Rudolf Pordes. Included is documentation of his immigration from Vienna through Belgium and France to the United States. Material on his professional work is also prevalent. This collection contains correspondence, official papers and certificates, notes, publications, photographs and legal documents.

The collection contains materials relating to Ruth Jacobsen, a Hidden Child of the Holocaust and the first female projectionist in New York. A lot of the collection is dedicated to Jacobsen’s attempt to cope with her past as a Hidden Child and sharing her testimony with others through her art. The collection is arranged into four series and six subseries. Materials in the collection include manuscripts, collage books, photographs, artworks, correspondence, and notebooks.

The Salomons-Fox family collection documents the lives of various family members of the extended Salomons-Fox family. Topics of the collection are the education; the emigration or attempted emigration to the United States, the establishment of a new life in America; and the professional career of the individuals represented in the collection. An extensive amount of the collection focusses on the artistic career and life of Dave Fox. Also included are papers pertaining to the circus artist and actor, Jackie (Leo) Gerlich, who appeared in the 1939 movie “The Wizard of Oz."

The Sampson Engoren Papers provide information on some of the work of the Jewish artist and architect. Most of the material in this collection pertains to Engoren's work, but there are also a few biographical documents as well. Although the majority of documents in this collection are large sketches, the collection also contains clippings, photographs, notes, and a log book.