This collection contains papers of Abraham Moshe Bernstein, a renowned cantor, choir master, composer of Jewish liturgical and secular music, music teacher, musicologist, writer, and translator. The bulk of the materials consists of Bernstein’s liturgical compositions and arrangements in both published and manuscript form, as well as a substantial collection of manuscripts and published works by various composers and arrangers. The materials include Hasidic folk songs and melodies, religious songs, Jewish hymns, popular songs, children’s songs, operettas, liturgical pieces, and musical exercises for students; choral volumes and partbooks; unidentified and fragmented musical manuscripts; manuscripts of Bernstein’s own writings; personal correspondence; a photo of Bernstein on his deathbed; secular and religious songs, Sabbath hymns, Hasidic folk songs and melodies, assembled by Bernstein for the S. Ansky Jewish Historical Ethnographic Society in Vilna.

The bulk of the collection contains documents generated by the Judenrats of the Vilna ghetto during Nazi occupation. The Yiddish poets Abraham Sutzkever and Szmerke Kaczerginski, interned in the Vilna Ghetto before escaping to the forests as partisans, were instrumental in the removal of this collection from Vilna and its subsequent transfer to the YIVO Archives in New York. The collection is therefore named in their honor.

The materials in this collection constitute a semi-random sample of the pre-war archive that was transferred to the Central State Archives of the Lithuanian Soviet Socialist Republic following the liquidation of the Vilnius Jewish Museum in 1949. The collection includes records of YIVO work and activities, financial records, correspondence, and publications; documents about pogroms in Ukraine, and Red Army and Soviet activity in Vilna and Bialystok; and a significant amount of records of socialist, communist, and Zionist political parties, as well as associated newspapers and one-time publications.

The collection consists of more than 300 autobiographies and supplementary biographical materials, such as correspondence, diaries, and documents collected by YIVO in the interest of Jewish youth research. The autobiographies were assembled through public competitions in 1932, 1934, and 1939 directed at Jewish youth aged 16-22. The collection also contains records of the contest, including lists of the contestants, correspondence with them, reports and clippings.

The collection contains Bernard G. Richards personal and official correspondence, papers from his involvement with the American Jewish Congress and Jewish Information Bureau, published and unpublished writings, publications collected by Richards, articles about Richards and his activities, correspondence and articles from testimonial dinners in honor of Richards, and photographs. Significant correspondents include Joseph Barondess, Louis D. Brandeis, Vladimir Jabotinsky, J.L. Magnes, Louis Marshall, Franklin D. Roosevelt, Jacob H. Schiff, Philip Slomovitz, Arthur Hays Sulzberger, Morris Winchovsky, and Stephen S. Wise.

Bernhard Kahn dedicated 50 years of his life to welfare activities in order to help distressed Jews. Among others he worked for the Hilfsverein der deutschen Juden, the American Jewish Joint Distribution Comittee and the American Joint Reconstruction Foundation .The collection contains personal as well as professional correspondence, articles on Bernhard Kahn’s work and biography, lectures and speeches by him and a number of official documents such as letters of consignment, citizenship papers and educational and professional certificates.

This collection consists of the correspondence of Zalman Reisen, and correspondence to the Union of Yiddish Writers and Journalists in Vilna. In addition, it contains fragments of literary collections which were part of the YIVO Archives in Vilna before 1941 and of materials which originated in Jewish institutions of higher learning in the Soviet Union, specifically the Institut Far Yidisher Proletarisher Kultur (Institute for Jewish Proletarian Culture) in Kiev and Invayskult in Minsk. The collection was formed in the YIVO Archives in New York ca. 1950. The bulk of the collection comprises files on about 600 Yiddish writers from Eastern Europe consisting of autobiographical notes and letters, biographies, bibliographies, manuscripts and typewritten copies, newspaper clippings, commemorative materials, announcements about lectures.

This collection contains materials collected by David Trotsky relating to the Jewish community of Belgium in the inter-war period. Materials include printed documents, posters, reports, meeting minutes, and newspaper clippings, mainly pertaining to the Jews of Brussels and Antwerp.

This collection of posters includes approximately 1,000 rare or unique items pertaining to over 100 displaced persons (DP) camps and centers in Germany, Austria, and Italy, dating primarily from 1946 to 1952. Comprised of approximately 60% handpainted and 40% printed items, it includes posters produced by diverse Jewish groups within individual camps, such as administrative and cultural committees, sports clubs, Zionist and religious groups, and landsmanshaftn; as well as organizations active throughout the camps, including the Jewish central committees in the respective countries, the World ORT Union, the American Jewish Joint Distribution Committee, the Jewish National Fund, and the Jewish Agency. A small number of items also document activities of the revived Jewish communities in the city centers of Munich and Vienna. Many of the posters use not only language but also color, graphic design, and pictorial and figurative elements to engage their audience with calls to entertainment, lectures, protests, and commemorations.

The Elias Tcherikower Collection documents the professional and personal life of Elias Tcherikower, a scholar, communal activist, and one of the founders of the YIVO Institute for Jewish Research, and to a smaller extent personal life of his wife, Riva Tcherikower, née Teplitski. Collected here are Tcherikower’s writings, professional and personal correspondence, photographs, manuscripts by other scholars, research materials, printed materials, financial documents, conference and exhibit materials, minutes of meetings, bibliographic materials and personal materials of Riva Tcherikower, née Teplitski, and Chaim Tcherikower.

The collection contains play manuscripts, programs, playbills, posters, photographs, correspondence, agreements, scrapbooks, clippings, printed ephemera, and memorabilia relating to Yiddish theater primarily in the early twentieth century, especially the interwar period. Also included are items of printed ephemera related to Yiddish film, Hebrew theater, and a broad range of Jewish performers, including cantors, singers and dancers. Geographically, the materials originate predominantly in Poland and other parts of Eastern Europe, including parts of the Russian Empire and, later, the Soviet Union; and, to a lesser extent, the United States, especially New York City. Also included are materials from Western Europe, Palestine (Eretz Israel), South America, and other regions around the world. Among the theater personalities represented in the collection with significant amounts of material are Herz Grossbard, David Herman, Joseph Winogradoff, Rudolf Zaslavsky, Zygmunt Turkow, Jonas Turkow, Moyshe Lipman, Ida Kaminska, and Esther Rachel Kaminska. The theater groups best represented include the Varshever Yidisher Kunst-Teater (VYKT; Warsaw Yiddish Art Theater), founded by Zygmunt Turkow and Ida Kaminska; the Vilna Troupe; Yung Teater / Nay Teater (Warsaw; Vilna), under the direction of Michael Weichert; the Moscow State Yiddish Theater (known by its Russian acronym "GOSET"); Maurice Schwartz's Yiddish Art Theatre, of New York; and the Hebrew theater "Habimah." A wide variety of other professional as well as amateur theater groups are represented with smaller amounts of material.

This collection contains 147 photographs of the city of L’viv, Ukraine (formerly Lemberg, Austria-Hungary; Lwów, Poland; L’vov, Russia). The photographs were taken by an unknown photographer(s) at various times during the period ca. 1890 through the 1930s. Three photographs are from the post-1945 years. The majority of the photographs were developed from glass negatives between 1987 and 1991. These negatives came to the attention of Evgenii Lendon in the 1980s, and Lendon preserved the images by making large, exhibition-quality prints from the negatives.

The bulk of this collection consists of genealogical research materials about George Vladar's maternal side, the Jewish families Biheller from Cieszyn (Teschen), Poland and Perl/ Tugenthat from Bielsko-Biala (Poland), and on his paternal side, the non-Jewish Hungarian family Vladar and the non- Jewish Austrian Family Bittermann (various spellings) and Muehler (various spellings). The collection consists of numerous family trees, birth and death certificates, school reports, and a correspondence of Vladar's Grandparents Joseph Biheller and Marie, née Perl.

The records of the People's Relief Committee for Jewish War Sufferers consist of correspondence with Jewish communities and relief organizations in Europe, Palestine, Cuba, South America, the United States, and Canada; as well as scrapbooks containing U.S. and Canadian Yiddish and English newspaper clippings and printed promotional literature pertaining to the fundraising activities of the People's Relief Committee in North America and abroad.

The Yidisher Artistn Fareyn, or Yiddish Actors' Union, advocated for actors' economic interests while striving to create a professionally run, artistically ambitious, Yiddish theatrical scene in Warsaw. From 1919-1938, its influence gradually increased until it included the majority of actors working in Poland, and collaborated with the most significant Polish Yiddish cultural figures and institutions, including E. R. Kaminska, YIVO, Literarishe Bleter, and the Landrat, or National Council of Class Trade Unions (Krajowa Rada Klasowych Związków Zawodowych). This collection contains records of annual conventions, Executive Committee meetings, correspondence with actors and theaters from Poland and around the world, and membership files on almost 600 actors.

See "Related Materials" notes for links to every digitized Hebrew Immigrant Aid Society (HIAS) collection in the YIVO Archives.

This collection contains the papers of the journalist, author, translator, and diplomat Herman Bernstein. It documents his work on behalf of Eastern European and Russian Jews and holds correspondence, memos, writings and translations by Herman Bernstein, writings by others, contracts, clippings, printed matter, and photographs.

This record subgroup contains the "case files" of people in the United States who sought the help of the Hebrew Immigrant Aid Society in locating their relatives in Europe after World War I and during the interwar period. The files consist of letters of inquiry, HIAS search application forms, correspondence with the inquiring parties, financial support letters and some official U.S. government correspondence.

This collection contains the minutes, correspondence and financial records of the I.L. Peretz Yiddish Writers’ Union from its founding in 1915 until 1973. Among the correspondence is a fair amount concerning the Fund for Jewish Refugee Writers, unions and union grievances, requests for aid from Jewish writers and activists in New York and abroad, and labor disputes and strikes.

The Irving J. Block Papers are a blend of personal papers and organizational records, documenting the evolution of the Brotherhood Synagogue (Congregation Beth Achim) in Manhattan and Block’s role as rabbi and his involvement in efforts outside of the congregation. The collection is primarily comprised of correspondence, sermons, minutes, notes, clippings, photographs, audiocassettes, and drafts of Rabbi Block’s memoir.

An affiliate agency of the Jewish Welfare Federation in Detroit formerly called the Jewish Social Service Bureau (JSSB).

This collection consists predominantly of records of the Jewish Social Service Bureau and, to a much lesser extent, of records of the Jewish Family and Children's Service (JFCS). The bulk of the collection consists of records of individual cases which were processed by the JSSB. Additionally, there are administrative records which include the following: general correspondence, 1926-1963; minutes of staff and committee meetings, 1924-1958. Records of various institutions which at some point merged or were affiliated with the JSSB, such as the Resettlement Service, Jewish House of Shelter, Jewish Child Placement Bureau, Hebrew Orphan Home.

Joseph Roth was one of the most prominent Austrian writers of the first half of the 20th century. Particularly his novels and newspaper essays gained him the respect of contemporary critics. Joseph Roth's papers at the Leo Baeck Institute Archives consist of handwritten and typewritten manuscripts of novels, novellas, short stories, and essays, including mostly complete manuscripts of his works Die Hundert Tage (The Ballad of the Hundred Days), Büste des Kaisers (The Bust of the Emperor), and his 'Trozki' novel Der stumme Prophet (The Silent Prophet). Joseph Roth's journalistic work is also well represented. There are a few personal items and over one hundred photographs of Joseph Roth and his wife Friederike. The Joseph Roth collection also contains correspondence with family and publishers, clippings about Joseph Roth, and reviews of his work. The addenda mostly consist of invitations to conferences and exhibitions, and scholarly articles on Joseph Roth's work and life.

This collection contains the family papers of the Loewald and Landshut families, notably personal and vital papers from before, during and after World War II which illustrate both the family's history and personal and professional lives. In particular, this collection amply documents the family's emigration in 1939, as well as a relative's internment in Theresienstadt, through legal documents and personal and official correspondence. There are also a large number of photographs illustrating Rosa Loewald's work as a nurse during World War I.

The collection contains materials pertaining to over 600 landsmanshaftn. Included are: charters, certificates of incorporation, constitutions, minutes, financial records, membership records, burial records, publications, clippings, and more.

The Leo Glueckselig Collection includes materials pertaining to Leo Glueckselig and other members of the Glueckselig family and consists mostly of personal correspondence, photographs, and documents, whereas other document types such as printed materials, manuscripts, art works, and a cookbook constitute a smaller part of the collection.

Collection consists of correspondence, speeches, photographs, clippings, and memorabilia relating to Crestohl's activities as a lawyer and as a member of the House of Commons in the Parliament of Canada representing Montreal-Cartier, 1950-1963. It includes material relating to Canadian immigration policies, German rearmament, humane slaughtering, and citizen reactions to these issues; correspondence with members of the Israeli Parliament, and correspondence and speeches relating to his numerous activities in communal and Jewish affairs in general and Zionist organizations and The ORT in particular; and personal writings and memoirs in typescript and published material by and about Leon Crestohl.

The collection also contains correspondence in English and Yiddish between members of the Crestohl family, primarily his mother Rose (Weitzman) Crestohl, 1926-1941, and published and manuscript material, both original and copies, relating to the career of his father Hyman Meyer Crestohl, 1904-1921.

The collection documents the life and various interests of Leon Szalet (Chaim Jehudah Leon Chalette), an engineer/architect from Berlin, who immigrated to the United States via Shanghai. It holds the manuscript of his book Experiment 'E', which is based on his experiences in the Sachsenhausen concentration camp, as well as correspondence and legal documents regarding the publication and reviews. Also included are letters Szalet sent to and received from his daughter in Sachsenhausen. Another important part of the collection consists of materials related to Leon Szalet's patented design of prefabricated steel-houses. His involvement in real estate in Berlin is documented as well. The collection also contains Szalet's correspondence as well as a few personal documents.

Lucien Wolf (1857-1930) was a diplomat, foreign affairs expert, journalist, and historian. As the secretary of the Joint Foreign Committee of the Board of Deputies of British Jews and the Anglo-Jewish Association (earlier the Conjoint Foreign Committee), Lucien Wolf took a leading role in the efforts of Western Jewry to aid persecuted Jews in Eastern Europe. He was also a delegate to the Paris Peace Conference (1919), where he helped to draft the minorities treaties guaranteeing the rights of Jews and other ethnic and religious minority groups. David Mowshowitch (1887-1957) was Lucien Wolf's secretary and aide at the Joint Foreign Committee for many years and continued to work for the Joint Foreign Committee until the 1950s. The collection consists of the papers of Lucien Wolf and David Mowshowitch, as well as fragmentary records of the Joint Foreign Committee. The material includes personal papers, correspondence, reports, memoranda, minutes of meetings, copies of articles, and press clippings. The documents pertain to the situation of persecuted Jews throughout the world, most notably the efforts of the Joint Foreign Committee of the Board of Deputies of British Jews and the Anglo-Jewish Association to aid the Jews of Eastern Europe, and to the Peace Conference at Paris in 1919 and the minorities treaties. There is also material on Lucien Wolf's and David Mowshowitch's other activities, most importantly Lucien Wolf's career as a journalist and as a historian of the Jewish community in Britain.

This collection describes the work and lives of the composer, conductor, and accompanist Warner S. Bass and his wife, the singer Marion Corda Bass. Most prominent among the materials of this collection are the music scores created by Warner Bass; they include works he composed, arranged, orchestrated, transcribed, or performed. Other items include personal documents, correspondence, published sheet music, photographs, essays, notes, concert and recital programs, press releases, and clippings.