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Habimah

 Organization

Found in 6 Collections and/or Records:

Arno Nadel Collection

 Collection
Identifier: AR 4314 / MF 947
Abstract

Manuscripts and clippings of poetry, and of music and literary criticism; photos of artwork by Nadel; a transcript of Nadel's diaries from 1941-1942; publications about Nadel; inventory of the papers of Nadel which are held by the Jewish National and University Library, Jerusalem; and various unrelated material. Photocopies of manuscripts "Der weissagende Dionysos," vol. 1: "Mythen," 199 pages; vol. 2: "Goetter," 205 pages; "Die Mysterien. Der Gang des Eingeweihten," 171 pages. Transcript of speech by Arno Nadel attempting to present the traits of "Jewish music". Musical score; lecture by Nadel on Jewish Music (in shorthand). : Correspondence 1940-1942.

Dates: 1911-1973

Correspondence (outgoing), undated, 1930, 1933

 File — Box: 82, Folder: 969
Scope and Contents

Includes: original letter to the YIVO Institute in Vilna, 1930, in Hebrew, on letterhead of Habimah in Tel Aviv and Berlin; a typescript of an appeal for distribution to Yiddish newspapers, concerning the collection of materials for a theater library under the auspices of Habimah; and a typescript of a memorandum from Habimah addressed to the 18th Zionist Congress in Prague, 1933, in Yiddish.

Dates: undated, 1930, 1933

Esther-Rachel Kaminska Theater Museum Collection

 Collection
Identifier: RG 8
Abstract

The collection contains play manuscripts, programs, playbills, posters, photographs, correspondence, agreements, scrapbooks, clippings, printed ephemera, and memorabilia relating to Yiddish theater primarily in the early twentieth century, especially the interwar period. Also included are items of printed ephemera related to Yiddish film, Hebrew theater, and a broad range of Jewish performers, including cantors, singers and dancers. Geographically, the materials originate predominantly in Poland and other parts of Eastern Europe, including parts of the Russian Empire and, later, the Soviet Union; and, to a lesser extent, the United States, especially New York City. Also included are materials from Western Europe, Palestine (Eretz Israel), South America, and other regions around the world. Among the theater personalities represented in the collection with significant amounts of material are Herz Grossbard, David Herman, Joseph Winogradoff, Rudolf Zaslavsky, Zygmunt Turkow, Jonas Turkow, Moyshe Lipman, Ida Kaminska, and Esther Rachel Kaminska. The theater groups best represented include the Varshever Yidisher Kunst-Teater (VYKT; Warsaw Yiddish Art Theater), founded by Zygmunt Turkow and Ida Kaminska; the Vilna Troupe; Yung Teater / Nay Teater (Warsaw; Vilna), under the direction of Michael Weichert; the Moscow State Yiddish Theater (known by its Russian acronym "GOSET"); Maurice Schwartz's Yiddish Art Theatre, of New York; and the Hebrew theater "Habimah." A wide variety of other professional as well as amateur theater groups are represented with smaller amounts of material.

Dates: 1887 - 1942; Majority of material found within 1900 - 1939

Jewish Theater Collection

 Collection
Identifier: AR 2371
Abstract

This collection contains posters, programs, and newspaper reviews for performances of Jewish theater in cities in Germany, Austria, and Lithuania, including theater produced by and about displaced persons in post-World War II Germany.

Dates: 1916-1950

Louis Lipsky Papers

 Collection
Identifier: P-672
Abstract

Louis Lipsky (1876-1963) was a noted Zionist leader, journalist, and writer. The collection contains personal correspondence, memoranda, speeches, magazine and newspaper articles, manuscripts, drafts of books, and organizational materials concerning the Zionist movement, and various Jewish organizations.

Dates: 1898-1976

Subsubseries A: "Habimah" Theater, 1924 - 1938

 Sub-Sub-Series
Scope and Contents From the Series:

This series contains materials related to performances and activities of theaters and theater troupes, organized by geographic location. Some files also pertain to a variety of local organizations that presented theatrical events and concerts, as well as organizations that promoted and supported Yiddish or Hebrew theater. The last subseries, Yiddish Theater (General) and Unidentified Materials, contains a small grouping of materials not related to specific localities, including manuscripts, clippings, and unidentified materials.

The materials in this series consist predominantly of theater programs; ephemera such as fliers, invitations, and tickets; and newspaper clippings (occasionally scrapbooks). The series contains, in all, an estimated 1700 to 1800 programs. The programs pertain to plays; revues; recitations; concerts, including cantorial concerts; dance performances; honorary evenings; and various special events of local organizations.

To a lesser extent, there are also publications and periodicals; and sometimes generic correspondence such as letters to supporters and fundraising letters, and, occasionally, manuscripts of articles about the given theater troupe, typically intended for publication in newspapers. (Some of the latter items were evidently donated by Zalman Reisen, editor of the Vilner Tog.)

The materials of the above types found under any given heading for a theater troupe, theater, or organization, are typically of mixed provenance, collected by various different individuals.

This series also occasionally includes small amounts of original records of theater troupes, such as correspondence and financial records.

Original letters from troupe members or leaders addressed to the literary historian and newspaper editor Zalman Reisen are found in the files for the Vilna Troupe (Folder 533); and "Ararat" (Folder 596). In the case of the Varshever Yidisher Kunst-Teater (VYKT), there is a small amount of original correspondence received by the troupe, including a letter from Richard Beer-Hofmann (Folder 500).

Fragmentary financial records are included for the Vilna Troupe, 1922 (Folder 538); and a ledger book for the "Baveglekher Yidisher Dramatisher Teater," 1921-1922, under the geographic heading for Warsaw (Folder 633). (According to an entry in Zylbercweig, VI: 4993, the latter troupe was founded by Jonas Turkow.)

Other notable provenance-based groupings of materials in the subseries for Poland are found under the following city headings:

Łuck (Lutsk, Ukraine): papers of the theater director Abraham Kolodny related to the "Yidishe Fraye Bine," 1910-1920 (Folders 621-622), along with theater programs likely collected by him.

Brześć nad Bugiem (Brest, Belarus): a scrapbook documenting performances of the Brisker Dramatishe Studye, 1927-1929, created by M. Sarwer (Sarver), the group's artistic director, along with programs evidently collected by him (Folders 696-697).

Częstochowa: receipts of impresario N. Zolotarew related to a tour of Lidia Potocka (Folder 668).

Also noteworthy is a scrapbook pertaining to a 1934 revival of the experimental Yiddish puppet theater "Khad Gadyo" in Łódź (founded in 1922, a collaboration between and Moyshe Broderzon and the artist Yitskhok Broyner); it contains the script of the performance, photographs and clippings (Folder 615).

Troupes represented with the most substantial amounts of materials include:

In Subseries 1. Poland, under the sub-heading "Poland by Theater Troupe": Varshever Yidisher Kunst-Teater (VYKT); Varshever Nayer Yidisher Teater (VNYT); the Vilna Troupe; Yung Teater/Nay Teater; and the "Kleynkunst," or revue theaters "Azazel," "Ararat," "Sambatyon," and "Yidishe bande."

In Subseries 4, United States, the Yiddish Art Theater, New York (directed by Maurice Schwartz).

In Subseries 6, Palestine (Eretz Israel), the Hebrew theaters Habimah and Ohel, respectively.

In the case of these major theater troupes, most of the material related to them is gathered under their name heading, found under the geographic locality with which they are primarily associated; however, the materials found there also include items pertaining to their tours in other parts of the country or region, and internationally.

On the other hand, files for specific towns, cities, or countries, in general contain many programs and clippings pertaining to guest appearances of individual performers, as well as smaller ensembles and troupes, who are based somewhere else.

Clippings are generally classified according to the main topic of the article (i.e. not necessarily according to the locality where it was published).

It should be noted that throughout the series, a distinction is usually made between professional theater and concerts, on the one hand, and amateur theater, or 'dramatic circles' on the other; when materials are related to amateur groups that distinction is typically specified in the heading. The distinction is especially clear in the subseries for Poland, which includes a separate sub-subseries for Amateur Theater (this follows the scheme established by Jonas Turkow during his preliminary organization of these materials at the YIVO Institute in New York).

Finally, as background, it should be noted that the programs that form the backbone of this series in representing the troupes, theaters, and localities, were among the materials that were organized and cataloged by Jonas Turkow at the YIVO Institute for Jewish Research in New York, in the late 1950s to mid 1960s. They bear stamped or handwritten item numbers (falling within the range 175167 to 177690) that Turkow assigned based on his initial sequencing of them in alphabetical order according to the names of the authors of plays (with concert programs grouped together at the end). Subequently, he selected certain programs to form groupings under peformer names (see Series II, subseries 1. Programs) and others to form groupings under the names of theater troupes and geographic headings (constituting the present series). The selection of the programs found in this series under general geographic headings, for particular towns, cities, and countries (as opposed to headings for the featured performer or director, as in Series II) thus reflects the arrangement devised by Turkow, documented in the cross-references he provided on his catalog cards for the programs. For further details, see the Scope and Content Note for Series I, Subseries 2, Programs.

Dates: 1924 - 1938